Sean said that when you finished The White Tiger by Aravind Adiga you spent the rest of the day nestled in your bed, blanket over your head, shirtless and face buried into that black pillow. He said there were all these sounds like muffled little cries and whimpers that he couldn’t differentiate between cries and laughter; he said it was a sort of mixture of sniffles and smothered smiles. I thought that so strange because when I read the book I didn’t feel so sad; it never struck me as a heart breaker.
But then you’ve read a lot of books and you never cried while reading Skippy Dies, which I thought was so odd because all I did was cry while I was reading that book. I tried to stifle my tears because I was reading before the start of my Anthropology class, but I had just gotten to the middle of the book and I was listening to Fionn Regan’s For a Nightengale and I couldn’t help but just burst out into tears of desperation. So, there I am, just sitting in this room, people on either side of me, salty tears running down my red-hot cheeks. I’m a mess, just an utter mess and I can’t collect myself and run out of the room because I’ve got a test this class; so I just sit there and cry, and it’s this fit of smothered tears and sobs that I imagine Sean must have heard when you finished reading The White Tiger.
I also remember how you told me, “Anyone who doesn’t cry reading Watchman, isn’t someone I want to be around.” And I had joked and acted like I could never cry while reading something like that but you knew I was lying; I had cried. I had cried wild horrid tears while reading it, and the bomb’s approaching and the two men, oh you know the one’s I mean: how they had the same name and never knew it? I burst into tears as they embrace, because it’s so beautiful isn’t it? How two people can live their whole life near each other and never know they had the same name? And it’s so beautiful how people can want, more than anything, to be embraced but they’re too afraid of what they are, they’re too afraid of being gay or being this or being that and so they’re afraid of embracing. But that’s the thing isn’t it? When the end of the world comes barreling down on us, when everything seems so awful and horrid, we’re not looking for anything but a hug. It’s amazing isn’t it? How there’s all these little gay boys that are fucking forty-year-old men when all they want is their mom or dad to sit down and give them a hug and tell them everything will be alright. How that’s all we want: the illogical hug, the assurance that things will be alright and perfect and beautiful and everything like that.
And then, Rorschach dies and that’s just it isn’t it? That’s just the end of things; you can’t do anything but sob because the last good man in the world, the sociopolitical killer, the abuse victim, the scum of the Earth man, he’s just dead, he’s gone. But he want’s it you know? He accepts it and you feel as if everything’s going to hell but then there’s that last glimmer of hope that’s left in such a violent act. There’s this feeling, and you can’t describe it, and you’re breaking out into fits of horrible sobbing at some book that people say you shouldn’t break out into fits of sobs about (like me and Breakfast of Champions), and all you really want, somewhere buried deep in the cuts and grooves of your brain is for someone to hold you; for your mothers hand to be stroking your hair like she did that time you read a book on aliens and couldn’t get to sleep at night. You remember that time right? She was wearing a large purple shirt with a smiley face on it, and you ran downstairs and were frightened because of what you had read and she just held your head in her lap and stroked your hair and somehow, despite all the logic in the world, you knew things were going to be alright. And that’s just it isn’t it? You’re searching for that person who will stroke your hair, for no other reason than to make you happy. You’re searching for that person that cares about you when they shouldn’t, the Rorschach of the world who won’t give up, who looks down certain death and doesn’t logic it out. You’re looking for the person that’ll burst into bits of flesh and guts just to make you happy, just to make sure that you’re okay; but, no matter what you do, it always seems like the last good man has died when you finish the book you’re reading.
But you don’t want him to die, do you? You want them to keep on living, because, as long as they’re living, you’re living. As long as they’re living, you’ve got a chance. So you break out into horrible sobs in an Anthropology class room, your dorm room, or in the second-floor of the library, and all you can think is “things are going to be fine, things are going to be great.” But you don’t know why, because that person isn’t there, they’re dead, or they’re gone, or they’re fourteen-thousand miles away. But still…it’s as if…it’s as if they’re still there: it’s as if their hand is still resting upon your head and your head is still in their lap and all these things make sense through the glorious spectrum of the illusive salty tears.










